Verse 21821aazahthaa


G1

1 a
through one footstep of wildness/madness, the lesson of the account-book of possibilities opened up
1 a
through one footstep of wildness/madness, the lesson of the account-book of possibilities unravelled
2 a
the path [that the madman had left behind] was the binding-thread of the parts/signatures of the two-world desert
2 b
the path [of madness itself] was the binding-thread of the parts/signatures of the two-world desert

'A desert, solitude, dreary place; --loneliness, solitariness, dreariness; ...wildness, fierceness, ferocity, savageness; ...distraction, madness'
'A roll, scroll, list; an index; a bundle of papers or written documents tied together in a cloth; a record, register, journal, book, volume, account-book'.
'To open, come open or undone; ... to open out, unravel; to be opened (as a knot, or a road for traffic, &c.); to be disentangled, be unravelled; to be untied or unfastened; to be uncovered, be unfolded, be exposed, be laid bare'.
'Way, road, pathway, highway; the right road; manner, practice'.
'Part, portion; particle; component part, ingredient; part or section of a book (consisting of eight leaves)'.
'The stitching of the back of a book'.

References
Arshi, Imtiyaz Ali Ghazal# 12
Raza, Kalidas Gupta 324-325
Nuskhah-e-Hamidiyah 53-54
Gyan Chand 90-91
Hamid Ali Khan Open Image

ABOUT : What is a 'two-world desert'? A desert that contains the two worlds, in a relationship of inclusion? One that is the two worlds, in a relationship of identity? One that is the size of the two worlds, as a kind of measuring-rod? One that is linked to the two worlds in some other way? The ambiguity seems at least as rich and complex as that of an construction. It's a well-established (Persian-derived) expression, but there seems to be no one way to resolve it. The only thing that's clear is that normally the two worlds are the present one, and the (Islamic) world to come. Other examples of similarly open-ended 'two-world' expressions: 4,10x ; 11,4x ; 16,10x ; 68,10x ; 197,4x ; 212,6x ; 226,7x // 348x,4 , ; 349x,7 ; 350x,5 ; 373x,3 ; 379x,4 , ; 416x,3 . Examples in which the 'two worlds' seem to have a somewhat more straightforward sense: 51,5x ; 64,6 ; 154,2 ; 360x,2 ; 361x,2 ; 361x,4 ; 374x,5 ; 398x,2 ; 399x,3 ; 433x,7 . In the present verse, the possibility of the 'two worlds' as a measuring-rod suggests that the first line could also contain a 'footstepful of madness' (a measurement of extreme smallness), if we read as belonging to this measuring-rod family as well. For more on such constructions, see 11,1 . It seems that madness or wildness left the beaten track and broke free, setting off into the desert-- and with one single first step the 'lesson of the account-book of possibilities' opened. There's a great play on -- the lesson 'opened' the way a book opens, of course. But as we learn from the second line, it might also have 'opened' the way the signatures (see the definition of above) of a book or account-book (see the definition of above) fall apart when the binding-thread is cut. And is the 'path' the one the mad lover has left, or the path of madness itself that he has now embarked on? I've tried to show in my translation the two possibilities for each line. Their combinations thus yield four main interpretations something like these: =(1a) and (2a)-- When the lover set out into madness (or into the wilderness), a new lesson about possibilities was revealed to him, for his wild departure cut the binding-thread that artificially held together the parts/signatures of the (rational) 'account-book' of the 'two-world' desert. =(1a) and (2b)-- When the lover set out into madness (or into the wilderness), the path of madness on which he had embarked taught him a new kind of coherence, for this new path proved to be the binding-thread of the parts/signatures of the account-book of the 'two-world' desert. =(1b) and (2a)-- When the lover set out into madness, the lesson of possibilities unravelled into new kinds of perception or revelation, for the path of sanity he had left had been the binding-thread that held together the parts/signatures of the account-book of the 'two-world' desert. =(1b) and (2b)-- When the lover set out into madness, the lesson of possibilities unravelled into wildness and incoherence; this was inevitable, since the path of madness itself was now the only binding-thread that held together the parts/signatures of the account-book of the two-world desert. And of course, there is the wide range of -- as both wildness and wilderness, loneliness and ferocity (see the definition above). No translation could possibly capture all that in English. There is also the piquant counterpoise of in the first line with in the second. The word works very well here, especially with ; see the brilliant 10,12 for further discussion and examples. And the word , here as elsewhere, seems to be part of Ghalib's regular tool kit of abstract imagery; for more examples, see 9,4 . Consider also 5,4 , in which in the mind destroys the desert itself. The present verse also resonates with 4,8x , which also features a single footstep and, strikingly, a 'desert of possibilities'. Ghalib must be one of the world's most cerebral-chauvinist poets-- he is so often (ruefully) celebrating the powers of the mind. This verse is one of my own special favorites. It's wildly abstract, but not at all incoherent; there are various paths through it, but it doesn't at all degenerate into a morass. graphics/desertpath.jpg