Verse 7x1816aa;Nhai


G2

1
Asad , the composure/'collectedness' of a heart sidelined through self-lessness, is better
2
a 'two-worlds' awareness is the equipment/measure of a single disordered/'scattered' dream

'Collectedness, composure, tranquillity, peace (of mind); wealth, affluence; recollection, reflection'.
'On one side, apart; out of the way, aside; out of the question; —put it aside!'.
'Information, knowledge, intelligence, acquaintance, cognizance; vigilance'.
'Furniture, baggage, articles, things, paraphernalia; requisites, necessaries, materials, appliances; instrument, tools, apparatus; provision made for any necessary occasion, necessary preparations; pomp, circumstance; —measure, quantity, proportion; order, arrangement, disposition; mode; custom, habit; power, strength; probity; opulence; understanding, reason, intellect; —boundary, limit; landmark'.
'Sleep; dream, vision'.
'Dispersed, scattered; disordered, confused; dishevelled, tossed (as hair); amazed, distracted, perplexed, bewildered, deranged; troubled, distressed, wretched; ruined'.

References
Arshi, Imtiyaz Ali Ghazal# 154
Raza, Kalidas Gupta 275
Nuskhah-e-Hamidiyah 223-224,227
Asi, Abdul Bari 232
Gyan Chand 355-356,358-359
Hamid Ali Khan Open Image

For background see S. R. Faruqi's choices . For more on Ghalib's unpublished verses, see the discussion in 4,8x . While the first line juxtaposes 'collectedness' of the self and 'self-lessness', the second line adds 'awareness' to the mix-- and not just any old awareness, but a potent 'two-worlds' kind (on this Persianized expression, see 18,2 ). The line then identifies this kind of awareness as the 'equipment'-- or 'measure', or 'power', or 'custom', or 'intellect', or 'limit', etc. (see the definition above)-- of a 'single disturbed dream'. In short, the multivalence of makes it impossible for us to pin down the precise relationship between the awareness and the dream. Of course, the excellent wordplay of composed or 'collected' versus disordered or 'scattered' is a classic trope of ghazal imagery; for another example, see the haunting 155,2 . But beyond that, we're left with 'heart-composure', 'self-lessness', 'a two-worlds awareness', and a 'disordered dream'. What superb 'equipment' for a mix-and-match, compare-and-contrast festival! And we're given various tantalizing, meaningful-looking ways in which to link them together (or balance them in opposition). These ways are ultimately unresolvable, but before that point they're mentally challenging, provoking, and enjoyable. For more 'disordered dream' verses, see 44,5x . graphics/heart.jpg