Verse 51821aakare ko))ii


G3

1
when from the tearing of the liver the 'road of inquiry' did not become open
2
what benefit, that anyone would make disgraced/revealed the collar/heart/breast?

'The opening at the neck and bosom (of a shirt, &c.); the breast-collar (of a garment); the heart; the bosom; (the Arabs often carry things within the bosom of the shirt, &c.; and hence the word is now applied by them to) 'a pocket'.
'Dishonoured, disgraced, infamous, ignominious; humiliated; open, notorious; accused; one held up to public view, as an example to deter'. (Steingass p.576)

References
Arshi, Imtiyaz Ali Ghazal# 169
Raza, Kalidas Gupta 347
Nuskhah-e-Hamidiyah 255-257
Asi, Abdul Bari 262-263
Gyan Chand 383-384
Hamid Ali Khan Open Image

This little verse is energized by several different kinds of wordplay, image-play, and meaning-play. The idea of something long and straight, and its 'becoming open', unites the otherwise incongruous comparison between a torn collar-opening (meaning of course the kind of slit collar that a kurta has, not the kind with lapels) and the 'road of inquiry'-- the process of making friendly, or at least polite, inquiries about a sick person. (Compare the 'road of speech' in 214,1 ; see also the 'foot of' discussion in 152,3 .) The lover in the ghazal world conventionally tears open his collar (for discussion see 17,9 ); but here not even the tearing of his liver has had any effect on the cruel beloved, so why would he, or anyone, bother with a small thing like a collar? The word also has a secondary meaning of 'heart' or 'breast'. This sense yields another enjoyable reading: when tearing the liver brings no results, it is proper to renounce the practice: why would anyone bother to rip open, and thus 'disgrace', his heart or breast any further, when the extravagant public gesture is so clearly a failure? (On the relationship between the heart and the liver in the ghazal world, see 30,2 .) There's also the clever presence within , 'disgraced', of , 'open' (as well as its meaning of 'open' to public notoriety; see the definition above). And when the verse is recited, not only are there the two sound-occurrences of , but the placement of in the first line, and in the second line, at exactly the same metrical point, also contributes to the sense of rhythm and connection. graphics/liver.jpg