Verse 12x1816aahai


G13

1
the thread of the agitation of the heart-- through the knot/entanglement of weakness
2
flight is with 'sleeping blood', and complaint is successful/'arriving'

'End of a cord or thread, &c.; rope, cord, thread, line; series; connexion, affinity; rule, practice, course, custom, usage, form; rites, ceremonies'.
'Faintness; agitation, restlessness, uneasiness, impatience; lack of splendour or lustre'.
'A knot; knob; node; ... (fig.) an entanglement, a difficulty; impediment (in speech); prejudice; misunderstanding, dissension'.
'Arriving, attaining; causing to arrive (used as last member of compounds); quick of apprehension, acute, sharp, penetrating, skilful, capable, clever; — mixing or mingling (with); amiable; well-received, welcome'.

References
Arshi, Imtiyaz Ali Ghazal# 179
Raza, Kalidas Gupta 268-69
Nuskhah-e-Hamidiyah 275-276
Gyan Chand 395
Hamid Ali Khan Open Image

For background see S. R. Faruqi's choices . This verse is NOT one of his choices; mostly for the sake of completeness, I have added it myself. For more on Ghalib's unpublished verses, see the discussion in 4,8x . Well, it's not hard to see why this one didn't make it into the divan ; in a ghazal with so many brilliant verses, it's definitely the runt of the litter. It feels like an assemblage of parts from two different verses, so that there's really almost no connection between the lines. It's easy to imagine a verse that would continue to develop the 'thread' and 'knot' imagery in the first line (for more on knot imagery, see 8,2 ). It's also easy to imagine a verse that would make enjoyable use of the vivid idiom , 'sleeping blood' (with thanks to Gyan Chand for explaining it)-- for example, look what Mir has done with in M 183,13 . But it's hard to imagine that these would be the same verse-- and sure enough, in this case they aren't. graphics/knottedheart.jpg