Verse 8x1816aadahrakhte hai;N


G9

In this meter the next-to-last long syllable may be replaced by two shorts.


1
courtesy consigned/confided to us the collyrium-applying of amazement
2
we keep a closed/'bound' tongue and an 'opened'/free eye

'Discipline, training; deportment; good breeding; good manners, politeness, courtesy, urbanity; etiquette; polite literature'.
'To deliver over, to hand or make over, to consign, give, intrust (to), deposit (with); to give in charge, to commit; to give up, resign, surrender, cede'.
'Rubbing; polishing; diffusing (used as last member of comp.)'.
'Bound, shut, closed, fastened, folded up; frozen, congealed'.
'Opened, uncovered, disclosed, discovered, detected, revealed, expanded, spread out, displayed, drawn forth; taken, subjected, subdued; open, spacious, wide, ample, capacious, extensive; loose, lax; free, frank, cheerful, glad, happy; serene, clear'.

References
Arshi, Imtiyaz Ali Ghazal# 94
Raza, Kalidas Gupta 207
Nuskhah-e-Hamidiyah 155-156
Asi, Abdul Bari 170-171
Gyan Chand 273-275,539
Hamid Ali Khan Open Image

For background see S. R. Faruqi's choices . For more on Ghalib's unpublished verses, see the discussion in 4,8x . On the special qualities of collyrium, see 44,1 . One of these qualities in the ghazal world is to be a natural enemy of the voice. Thus the 'collyrium-applying of astonishment' is very suitably expressed by the combination of a closed mouth and wide open eyes. For someone who was applying collyrium around his or her eyes would naturally open them wide, to assure proper application-- and also to see clearly in a mirror how the delicate work was progressing. The amazement represented by is stronger than the English 'surprise'-- it's more like a 'stupefaction' that keeps one helplessly frozen in place; on this see 51,9x . But in this case, the verse makes it clear that the real source of the speaker's behavior isn't 'amazement' at all, but 'courtesy, good manners' (see the definition above). His sense of courtesy or propriety has laid on him, or 'consigned' to him, the duty of behaving in the 'collyrium-applying' style that is a sign of amazement; apparently this duty consists of keeping his mouth shut and his eyes open. For a discussion of the related category of personal style and dignity [], see 115,7 . In other words, because he's polite he makes a show of astonishment (and humility?). But does he really feel any such emotion? Who's to say? As usual, Ghalib leaves his readers to fend for themselves. After all, he's pointed out in 48,9 that in any case we should always keep our eyes open. graphics/openeyes.jpg