Verse 4x1816arangusht


G13

1
whichever way I go, everyone's fingers point/'rise' that way
2
the entire/'whole-hand' world, toward/through me, is filled perhaps with fingers

'Entire; uniform, even (cloth); —homogeneous; —what can be lifted with one hand; —adv. Altogether'.
is an archaic form of .
''Fingers to rise'; to be notorious, to be the object of scorn or contempt ( = ).

References
Arshi, Imtiyaz Ali Ghazal# 50
Raza, Kalidas Gupta 171-172
Nuskhah-e-Hamidiyah 87-88
Asi, Abdul Bari 97-99
Gyan Chand 171-173
Hamid Ali Khan Open Image

For background see S. R. Faruqi's choices . This verse is NOT one of his choices; I have added it myself, partly because Ghalib chose it for inclusion in Gul-e ra'na (c.1828). For more on Ghalib's unpublished verses, see the discussion in 4,8x . This was the opening-verse of the original ghazal; the divan version has no opening-verse. As Zamin and Gyan Chand note, the chief charm of the verse is the clever wordplay between (see the definition above) and . For discussion of expressions compounded with , see 11,1 . There's also the enjoyable ambiguity of -- is the world full of fingers that are pointed at or 'toward' the speaker, or (more radically) is the world full of fingers 'through' or 'because of' him? The 'perhaps' adds to the subjectivity-- the speaker is not really sure about his conclusions. Since could also be singular, the grammar even opens up the bizarre possibility that the world might have become one single gigantic space-filling finger. The verse gives us no hint of how the speaker feels about his notoriety. Might he be somewhat proud of the universal attention he's receiving? (Or even of the cosmic effect he's having?) graphics/fingers.jpg